Friday, 28 October 2016

Dark Angel

Downton Star becomes a notorious victorian killer

Written by Ben Felsenburg


With her wide-eyed innocence, Joanne Froggatt is the last person you’d suspect of murder, which made the unjust accusation of that crime against anna bates, the maid she Ben-Felsenburg-colour-176played in Downton Abbey, all the more affecting.

Now, in a coup of reverse casting, she stars in Dark Angel (ITV, Monday, 9pm) as Mary Ann Cotton, whose penchant for liberally distributing arsenic left a trail of bodies across the north- east of Victorian England. Cotton holds some unenviable records: married three times, widowed three times, plus a common-law husband who followed her other men to an early grave – and out of 13 children, just two survived. The motive was simple: life insurance payouts. (Yes, men, pay attention the next time your loved one brings up the subject of your policy.)

From the start of this two-part series, we know exactly where the tale is going, thanks to a sobering glimpse of the gallows, to which this black widow is surely headed. Dramatically, the question is how can the Angelic Froggatt be transformed from the saint who served the Granthams into a prolific serial killer who’ll stop at nothing for her own gain?

Part of the explanation is how the grinding poverty and alarming mortality rate of the era made death all too easy. But then there are the frequent glimpses of back-breaking housework that sends Cotton into murderous despair. So thank goodness for modern technology: who knows how many lives the dishwasher and the dustbuster have saved.




NOT TO BE MISSED...


ARTSNIGHT: 2016 – The Year Of King Lear (BBC2, Sat, 9pm)
Diana Rigg and Timothy West are among the stars discussing the current slew of productions.

HUMANS (C4, Sun, 9pm)
Katherine Parkinson stars as one of the few human characters we care about, as the smartly entertaining android saga returns for a second eight- part series.

THE MOONSTONE (BBC1, Mon, 2.15pm)
It was the original detective novel; now Wilkie Collins’s 1868 classic is adapted into a five-part series running throughout the week.


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